![]() ![]() RX Post Production Suite 4 is a 1999 bundle of 7 individual products, including RX 7 Advanced, Dialogue Match, Neutron 3 Advanced, RX Loudness Control and Insight 2 and more. If you heavily compress then you’ll need to bring the ref level you mix to -14 (PPM5), if you have wide dynamics then you can probably aim for -10(PPM6) to hit -23LU.īeware that, if you create tone media, you then need to adjust level there to -18 as it will take ref level as default. iZotope group their offerings into three suites for different audio mastering disciples, largely music, audio creation and film post production. If time I run the whole thing through videotoolshed loudness change app (Orban have a free equivalent) and trim levels if necessary. I generally mix (tight turnaround, no seperate audio mix) using Avid internal meters with ‘reference level’ in audio tool set to -12dB (= PPM 5.5) and keep the meters just touching the yellow, with a master bus compressor gently compressing (3:1 ish with knee) peaks above that and a second one brickwalling (100:1 fast attack & release, small knee). Never had much success with it in MC though. MC limitation of only showing one plugin interface at a time makes it less useful than it might be.īute loudness tool does a similar thing with history across a whole show. ![]() PPMulator will give various options for monitoring loudness (in addition to PPMs) as a master bus plugin. ![]()
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